Is music more subtle these days? Or am I just unaware of our generation's Billy Squier? (Andrew W.K.? Josh Homme?) There's such dynamic range and contrast from the first drum hits, this production has held up really well. (Sorry for linking you to the live version, y'know, YouTube.) I like how the guitar riffs kinda swaggers around without really going anywhere. People probably don't think of Billy Squier as a big keyboard guy, but there's tons of impossible sounds on this record. And, like other Squier songs, the bridge is totally on another planet.