@Bamblesquatch@kinslowdian@steveturf Glad you liked it. This track from 1996 (or earlier -- it was on A Few Old Tunes) carries so many BoC strengths: rhythm, sampling, layering, detuning/distortion. But it also exhibits an exquisite use of open chords reminiscent of Wagner's Overture to Tristan and Isolde. This technique doesn't get used by the boys much until much later, on Tomorrow's Harvest (2013), Reach for the Dead particularly developing this even further.
3 Comments (since 18 Oct 2014)
Bamblesquatch
Magic.
kinslowdian
Love the lead into the end
clementix
@Bamblesquatch @kinslowdian @steveturf Glad you liked it. This track from 1996 (or earlier -- it was on A Few Old Tunes) carries so many BoC strengths: rhythm, sampling, layering, detuning/distortion. But it also exhibits an exquisite use of open chords reminiscent of Wagner's Overture to Tristan and Isolde. This technique doesn't get used by the boys much until much later, on Tomorrow's Harvest (2013), Reach for the Dead particularly developing this even further.