"I was in Switzerland on my first skiing holiday. I'd done a bit of skiing in Help! and quite liked it, so I went back and ended up in a little bathroom in a Swiss chalet writing For No One. I remember the descending bassline trick that it's based on, and I remember the character in the song - the girl putting on her make-up.
Occasionally we'd have an idea for some new kind of instrumentation, particularly for solos... On For No One I was interested in the French horn, because it was an instrument I'd always loved from when I was a kid. It's a beautiful sound, so I went to George Martin and said, 'How can we go about this?' And he said, 'Well, let me get the very finest."